In the past few weeks I’ve lectured quite a bit about shapes in handwriting and faces; interestingly they are related. Here’s a little more details on both.
BTW, members of my site can learn much more here: Curves and Angles in Handwriting
I’ve often mentioned that curves equate to friendliness, sociability and a people-oriented writer. They are also about the need and the desire to express the self, to adapt and compromise, and to love and be loved. People with curves in the face and handwriting tend to be more compassionate, less selfish, and more impulsive.
An abundance of curves, however, can indicate laziness. This is the downside of compromise - not resisting or desiring to fight for the right because it’s too much effort. This is more likely to happen when there’s an excess of curves in the person’s face or writing. Thus a combination of curves, angles and some squareness is better to see than nothing but roundness, or heavy angularity.
What’s the writer like when they have mostly angles in their penmanship? This person tends to enjoy keeping control, to keep going under pressure, to be right whenever possible, and to have a more resistant nature.
When the face and handwriting are well-angled, the challenge is being too suspicious, demanding and expecting the worst. Just a few well-placed angles here and there in the writing and face indicate someone who’s simply investigative, analytical and willing to dig deeper. Again balance in faces and script are key to a balanced thinker.
If your handwriting has “too much” of any one thing (pressure, angles, curves, largeness, smallness, imbalanced zones, etc), graphotherapy can help. Improvement in outlook and personality is a common result of changing your handwriting. For more info on handwriting analysis and face reading, see www.AnalyzeMyFace.info.
Kristina Powell
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This Saturday, October 11, I’ll be giving a workshop at the Salem Library on face reading from 1 to 3pm. 